#he great gatsby

[ya-what--ya-erster]

I swear I’m going to kick the heck out of the next person to make fun of my interests right now (Newsies, Illinoise, Gatsby (the musicals))

I don’t care if you think it’s too repetitive

I don’t care if you think it’s for kids

I don’t care what you think about the queerness of the characters, I don’t care that you don’t like it, I don’t care if I talk about it too much, I don’t care if I analyze too much

I DONT CARE

Literally leave me and my interests alone we don’t need you

[personinthepalace]

I shouldn’t say that *adorable laughter* - Jeremy Jordan from bwaygatsby instagram

Edit: this video was deleted and replaced with this new one

[wintersnails]

people watching Teen Wolf (apparently??): Scott is a neurotypical boring character with no vulnerabilities or nuance

Scott McCall: in response to an extremely traumatic series of event in which my agency and bodily autonomy were wrenched out of my control at the age of 16, i am now tying my self-worth directly to the well-being of every single person in this town (including those who have repeatedly tried to kill or actively harm me) and if i ever ‘fail’ to save someone i probably deserve to die or suffer a bunch more than i already have :))). also, the narrative has emphasized at multiple points that i will sacrifice myself not only out of compassion but because of a deeper feeling of complete worthlessness in the face of my own limitations. i am desperately sidelining my own past as much as possible yet my PTSD is still shaping how i try to act out the values of kindness and mercy (sometimes to rigid or illogical extremes) because these qualities weren’t shown to me when i was at my most vulnerable. it feels like someone trapped a monster under my skin and even though i am trying to use my abilities for good, it’s still hard to unlearn the pure terror and pain that i associate with becoming a werewolf against my will :)))

[iamthejam]

in honor of my rising jeremy jordan obsession and no one asking, here's some of my favorite pictures of him :)

[rosquinn]

one of my favorite things about the great gatsby is that despite being the narrator nick gives himself the "background character" role and decides that none of the things that happened are his business. he's there the entire time, follows gatsby around and generally has a very detailed perspective of all the people involved in that mess. he knows who cheated on who and why, he knows who is unhappily married, etc. this being said his mission is to watch everything and then write it down gatsby running over a woman with a car and then getting shot to death has nothing to do with him and could have not been avoided

[going-down-to-orlando]

"He smiled understandingly-much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced-or seemed to face, the whole eternal world for an instant, and then concentrated on you with an irresistible prejudice in your favour. It understood you so far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey." Nick Carraway about Jay Gatsby, 'The Great Gatsby'

This is a PARAGRAPH about Gatsby's smile. Not even Gatsby, just his smile. Nick wrote 2 sentences about Jordan and his thoughts on her appearance. Jordan, his supposed "love interest".

This shows us two things. Firstly, Nick is definitely not a good, unbiased narrator. Secondly, Nick is a flaming homosexual.

[highlyincorrect]

It’s so funny reading about queer male classic authors bc it seems like every single one of them-across continents even- knew each other by name. Like you’ll look up Bram Stoker or some shit and Wikipedia.org will say “had several orgies with Oscar Wilde and Walt Whitman, hung out with Alaina Locke in spare time to shit talk F. Scott. Fitzgerald” and you have to say well okie dokie then

[ricky-mortis]

Goofy little ACM doodle :)

[tootiredtofunctionproperly]

Any theater nerd that denies being absolutely head over heels for Jeremy Jordan is a fucking liar

[claudefrollosreddiamondring]

Nick seems like the type of guy to put hearts right next to Gatsby’s name when writing about him

[j-gatzby]

i drawed jay gatsby

og image that i traced: (unfortunately can’t track down the artist please comment if you know them so i can credit ☹️)

[crystaltreebee]

If I had a nickel for every time Jeremy Jordan showed up in random media I’d have-

so many nickels. Someone needs to stop this man. Please.

[more-than-tender-curiosity]

Why Jay Gatsby was really desperately begging Nick to have a tea party

[the-kestrels-feather]

Therapist: describe your current mental state

Me: Jay Gatsby in "Only Tea"

[bethanydelleman]

I think The Great Gatsby is the only tragedy that I both love and haven't attempted to fix, either in my mind or through fan fiction. The reason for this is probably because it's impossible to make Jay Gatsby and Daisy a happy couple, no matter what you do with the canon characters. Unlike say, Romeo & Juliet or Mansfield Park, there is no point where something can go right and plausibly end well.

It is fundamental to Daisy's character, and part of the reason that Gatsby fell in love with her, that she is rich and to his that he was born poor. If you fix Gatsby getting stuck at Oxford after the war, either Daisy still marries wealth (and is just a bit more sad about it) or she does marry Gatsby and ends up discontent. At best, they'd achieve middle class (because he wouldn't take the same huge risks married), which she would hate, and while she would have love, it wouldn't be enough.

If Myrtle isn't hit by the car, Gatsby isn't shot in the pool, but that was the most merciful thing that could have happened to him. Daisy was not going to endure the public humiliation of a high profile divorce. Her return to Tom was inevitable (something Nick knew but Gatsby denied). Gatsby dies still able to believe that he'll have a future with Daisy. That's the best he's ever going to get.

Daisy was always an unachievable dream to Gatsby. A girl like her was never going to wait for him to become wealthy. She would never be content with him poor. Tragedy was guaranteed the moment he fell in love. You can't fix it.

[femboy-central]

… if you want to read my essay on how gay Nick Carraway is it’s under the cut

Until recent years, very few authors had the courage to express homosexuality in their work for fear of institutional punishment or negative social reaction. With stories like that of Oscar Wilde, writers were accurately terrified to explicitly explore the diversity of the sexual and romantic interests of their characters. Despite this, they were not stopped and authors chose to implement their gay characters with artistic subtlety. F. Scott Fitzgerald's most well known novel, The Great Gatsby, homes one example of this type of character. Although he does not live in a time period where he can be open about it, Nick Carraway is a homosexual man and this fact is crucial to truly understanding his self and his relationship with Jay Gatsby.

Perhaps the most damning evidence of Nick's sexuality is the fact that the only sexual encounter he is implied to have had is with Chester McKee after the party in New York (28), but it is not all. Nick's homosexuality is most casually clear in the descriptions he gives of the people in his life. Although he does acknowledge past romantic relations with women, he does not read as particularly interested in them. When questioned about a rumoured fiancée out West, Nick remarks that he is very opposed to "being rumored into marriage," (15) and in his first meeting with his supposed love interest, Jordan Baker, Nick compares her to a cadet (an exclusively male occupation at the time) and points out her most masculine features as ideal including her small breasts and erect carriage (8). In comparison, Nick's descriptions of the men around him are rich with intrigue; Nick notices how Tom Buchanan's eyes establish dominance in his face and the way his muscles move under his clothing (5). When Nick speaks about the train conductor on the hottest day of the summer, he critiques people who think of kissing flushed lips and laying with a partner in the heat despite no one else in that scene expressing those feelings (87). The suddenness of this flustered complaint implies that Nick is reacting to his own desires; desires he wishes he did not have.

While Nick is at least vaguely attracted to multiple men in his story, there is one he is consistently interested in throughout: Jay Gatsby. From their first meeting where Nick goes on about how pleasant a smile Gatsby has (36) onwards, Nick is very fond of Gatsby, going so far as to emphasise that he is the only rich person he did not end up disgusted by (2) and that all of the East was haunted for him after Gatsby's death (137). In Gatsby's life, Nick even expressed his affections to him in whatever ways he could. For example, when Nick agrees to reintroduce Gatsby and Daisy, he does not allow Gatsby to reimburse the favour (62). Also, after Myrtle's death, Nick only leaves Gatsby's side because he feels like he is intruding (112), returns to a bed he can not fall asleep in, and takes the first opportunity available to meet Gatsby again at dawn (113). Nick listens to Gatsby's story then (114), something nobody else would do in favour of spreading scandalous, borderline slanderous rumours.

Nick claims he is not a judgemental person, but proves himself wrong as the novel progresses in regards to every person he has met but one. Despite remarking that he disapproved of Gatsby "from beginning to end" (118), he was equally endeared to him. Nick also claims to be an honest person (44), which he proves not entirely true either. Realising Nick's true feelings for Gatsby reveals the intricacy of his character and calls into question the reliability of his narration. Although his intentions are always sympathetic, Gatsby is by trade a bootlegging criminal and yet even after meeting Meyer Wolfsheim and being told about his business (54), Nick plays ignorant about Gatsby's involvement. To Nick, the idea of Jay Gatsby is related only tertiarily to the idea of "Wolfsheim's men". Nick makes this clear every time he visits Gatsby after Wolfsheim's men begin working at his house by how suspicious he always is of them, even describing one's face as “villainous" (86). Nick does not judge Gatsby as the same as these people nor the Buchanans despite not being so different in truth because he is already in love with him and truly wants to believe he is a good person at heart. Even Tom Buchanan is aware of this on some level, showing his cognisance after Gatsby's death by telling Nick that "(Gatsby) threw dust into (Nick's) eyes just like he did in Daisy's" (138).

To ignore Nick's sexuality is to intentionally misunderstand his character and The Great Gatsby as a story. On his surface, Nick Carraway is a single objective voice in a world of desires and deceit, but as much of The Great Gatsby does, his character requires the reader to look below to his own human biases if they intend to comprehend him.